M. Night Shyamalan vereint die Geschichten zweier seiner herausragenden Originale – Unbreakable und Split – zu einem explosiven, brandneuen. ↑ Glass In: Rotten Tomatoes, abgerufen am Mai ↑ Cynthia Freeland: Horror and Art-Dead. In: Stephen Prince (Hrsg.): The Horror Film. Vielmachglas Poster. After her adventurous brother dies in a car crash, a neurotic, broke girl, who can't choose, what to do with her life, goes on the adventure.
About Tomatometer↑ Glass In: Rotten Tomatoes, abgerufen am Mai ↑ Cynthia Freeland: Horror and Art-Dead. In: Stephen Prince (Hrsg.): The Horror Film. Vielmachglas Poster. After her adventurous brother dies in a car crash, a neurotic, broke girl, who can't choose, what to do with her life, goes on the adventure. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers, Showtimes, and.
Glass Rotten Tomatoes Movie & TV News VideoAn Oral History of “Glass”: M. Night Shyamalan, Samuel L. Jackson, Sarah Paulson, and James McAvoy Einerseits beeinflusste ihn ein Buch von Spike Leein dem dieser erzählt, wie er seinen ersten Film ohne Geld und Produzent gedreht hat. Juni Staple bringe so nicht nur Helden und Schurken Ligen Tennis Zweifeln, sondern auch die Zuschauer. Regal Coming Soon.
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How did you buy your ticket? View All Photos Movie Info. The children hear promises of a world of opulence and California fun -- all they have to do is move into the Glasses' gated house.
Before very long, though, Ruby suspects that Erin and Terry may not be the ideal guardians they seemed to be. Daniel Sackheim. Neal H.
Jan 8, Columbia Pictures, Original Film. Leelee Sobieski Ruby. Diane Lane Erin. Bruce Dern Begleiter. Kathy Baker Nancy Ryan. Trevor Morgan Rhett.
Chris Noth Uncle Jack. Michael O'Keefe Dave Baker. Rita Wilson Grace Baker. Gavin O'Connor Don. Daniel Sackheim Director.
Wesley Strick Writer. Moritz Producer. Michael I. Rachmil Executive Producer. Alar Kivilo Cinematographer. Jon Gary Steele Production Designer.
Howard E. Smith Film Editor. Christopher Young Original Music. Chrisi Karvonides-Dushenko Costume Designer. Mary Vernieu Casting. Top Critic.
October 12, Full Review…. September 24, Full Review…. April 29, Full Review…. December 6, Rating: 2. August 1, Rating: 1.
View All Critic Reviews Jan 22, Gimly M Super Reviewer. Oct 07, The psychological thriller The Glass House has an interesting set up, but fails to deliver any true terror.
The plot follows two children, Ruby and Rhett Baker, who are orphaned and taken in by their parent's friends, the Glasses, but before long Rudy starts to suspect that the Glasses have a sinister reason for having taken them in and could be behind her parent's deaths.
However, the script is a little weak and leaves too much ambiguity to sustain much tension or suspense. And before long, the story falls into formula and becomes pretty predictable.
There's some mystery to The Glass House, but it's rather underwhelming and lacks real peril and danger. Dann M Super Reviewer. Feb 20, Fairly predictable, it's easy to guess what goes on in the film with it's heavy foreshadowing and the conventional plot.
Another one of those rich people problems film featuring good actors in distress, very much the same as the films we've all seen before.
Sylvester K Super Reviewer. Jul 28, An orphaned teen and her brother live with a sinister family friend after their parents die. Aside from the sheer joy of watching Stellan Skarsgard be bad, there is nothing unique or new about this thriller, which is as predictable as it is lame.
Leelee Sobieski is a boring heroine, and Diane Lane is woefully underused. Overall, I have very little to say about this film because the film has very little to say.
Jim H Super Reviewer. See all Audience reviews. Uncle Jack: Things are gonna get easier from here on out. View All Quotes.
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SEAL Team. The Surgeon's Cut. Murder on Middle Beach. Your Honor. The Queen's Gambit. Glass is a major disappointment. It broke my heart.
The movie, watchable as it is, is still a disappointment… more dutiful than necessary. Instead of having his two earlier movies dovetail to create something deeper and richer, it quickly begins to feel like subtraction by addition.
In Unbreakable , David and Elijah went together like a lock and key. Here, everyone feels like spare parts. Night Shyamalan has read some comic books in his day.
I do sometimes wonder how many, though. This one will not start, or go, or end like you think. I can also confidently predict that the ending is going to piss more than a few people off.
Glass is a good ending to the Unbreakable trilogy, but it may not give you the conclusion you were hoping for.
That, on its own, is inherently fascinating. There is enough experimentation — such as the stirring POV shots during the fight scenes — that shows a director still pushing his craft to bring his viewers something new.
Willis is phoning in his performance. Jackson and Willis fit back into their older characters like well-worn gloves, both of them knowing what to do and how to move, although Willis gets less to do than the others.
Jackson is clearly having a blast playing such a devious character. Glass but is ultimately only given a few moments to truly shine.
For a good third of the film, Jackson outacts anyone sharing his scenes without even saying a word. McAvoy is once again top notch. Every clash between David Dunn and The Beast is bone-crunchingly satisfying.